Crease Pattern Challenge 028

Crease Pattern Challenge, Origami

Origami Tanteidan Magazine #82 is a special issue that mainly has crease patterns. So Crease Pattern Challenge #28 is actually several models split into 6 sections. I forgot whatever spiel I had for this, so direct to it I guess.

No.01 starts things with a bang: it’s A Crab and Its Kid by Toshiyuki Meguro. I had quite a bit of trouble with the reference points. I got quite a few, but, there are so many, I ended up estimating more than I knew. Such a large scale model ends up pretty forgiving, but mine (particularly the major shell) isn’t as sharp as possible.

otmcp_028_01-crab-and-kid-meguro-101 otmcp_028_01-crab-and-kid-meguro-102

otmcp_028_01-crab-and-kid-meguro-103 otmcp_028_01-crab-and-kid-meguro-104

I hope my pictures show this well enough. There are 5 baby crabs under the main crab (it’s all one large square). Just getting that many points is fascinating, and they make a really neat model.

otmcp_028_01-crab-and-kid-meguro-105 otmcp_028_01-crab-and-kid-meguro-107

otmcp_028_01-crab-and-kid-meguro-109 otmcp_028_01-crab-and-kid-meguro-110

No.02 is a Giraffe by Hideo Komatsu. I think this is my favourite model in this set. It’s a little trickier than it looks, which makes it interesting, but I think I like it just because the giraffe is endearing.

otmcp_028_02-giraffe-komatsu-102 otmcp_028_02-giraffe-komatsu-101 otmcp_028_02-giraffe-komatsu-103

03 is Satoshi Kamiya’s Dragonfly 1.1B. He always has great models with special details. The main feature with this one is the dragonfly’s banded tail. Having the tail along with four wings, six legs, and a detailed face (his is much better detailed than mine, by the way) is a little ridiculous.

otmcp_028_03-dragonfly-1-1b-kamiya-101 otmcp_028_03-dragonfly-1-1b-kamiya-102

otmcp_028_03-dragonfly-1-1b-kamiya-103 otmcp_028_03-dragonfly-1-1b-kamiya-104

otmcp_028_03-dragonfly-1-1b-kamiya-105

No.04 has two models by Takashi Hojyo: Un objet d’un poisson 5 (Pterois lunulata) and Un objet d’un poisson 11 (Jellyfish). These are pretty special, because he tends to do animals in a more traditional way than his human models. These two incorporate the methods he uses for humans to make an artistic lionfish and jellyfish. They kind of feel minimal but are very detailed. Unfortunately, I may have again missed a polarity switch on the lionfish (I tend to do with his models).

otmcp_028_04-objet-hojyo-102 otmcp_028_04-objet-hojyo-103

otmcp_028_04-objet-hojyo-104 otmcp_028_04-objet-hojyo-105

otmcp_028_04-objet-hojyo-106 otmcp_028_04-objet-hojyo-107 otmcp_028_04-objet-hojyo-108

otmcp_028_04-objet-hojyo-109

No.05 is a set of little houses, listed as Japanese Roofs, by Tomohiro Tachi. These really aren’t the kind of models I like much, so I just Xeroxed them and folded them from those. They are neat having slopes with direction changes. Also, I have a red filter that I never get to use.

otmcp_028_05-japanese-roofs-101 otmcp_028_05-japanese-roofs-103

The last model, No.06, is a Domino Cube by Ushio Ikegami. There are several crease patterns here, but I’m only doing the first one. He tends to come up with interesting methods to fold seemingly impossible models that are aesthetically fairly boring (to me at least). He previously made a Koch’s Snowflake Curve in Challenge #13. These are pretty neat (if I had colour change paper, the upper and lower cubes would be different colours), but they’re not really my thing.

otmcp_028_06-domino-cube-ikegami-101 otmcp_028_06-domino-cube-ikegami-102

otmcp_028_06-domino-cube-ikegami-103 otmcp_028_06-domino-cube-ikegami-104

otmcp_028_06-domino-cube-ikegami-105 otmcp_028_06-domino-cube-ikegami-106

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