Crowned Crane (CPC68) Reference Lines

Crease Pattern Challenge, Origami

So far, only one person has asked about this one, but I had found this interesting before anyway. I nearly put these with the original post. I double checked and wrote up my notes so they’re (hopefully) understandable.

This is a possible way to get the reference lines, but there may be a simpler way. I want to point that out because this model strikes me as having lines in more random places than most crease patterns. That is, it seems more like a model that has steps like in diagramed models. Creases found based on previous steps would be much easier to fold/follow. However, it may just have intentionally difficult to find reference lines for the challenge part.

My finished model (from the double checking) follows the reference line diagrams below.

Crease Pattern Challenge 069 – Update

Crease Pattern Challenge, Origami

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (224)

—Original Crease Pattern Challenge 69 Post—

I’ve gotten a few people ask me for help on Kakami ‘s Leafy Sea Dragon (CPC 69, OTM 125). I didn’t really remember it, so I folded it again and have some tips here. Although, I think my fold is a little off. Also, this one is purple for Dragalge, a pokemon I like that’s being reintroduced into the game with an expansion! Not that I’m going to get the expansion at that price before I find out if it’s worth it…

OTMCP_069 references

Anyway, first, here are the reference points (without the crease pattern). Most people trying this have probably figured them out already, but the inner square’s reference isn’t super standard.

For collapsing, the tail corner is across from the head, and almost all points on either side of the diagonal separating them go towards their respective corner. I picked one of the corners (the tail, but the head should work fine if you want to start there) and collapsed that side moving from the corner in. The edge points are the spines that look like flags, while the interior points become the spines with diamonds underneath the dragon. There are eight of these interior points, but they are paired together to give each of the four spines two diamonds.

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (205)          OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (206)

The interior points are the ones I did a little off. They collapse opposite the section you’ve already folded (if you went from a corner in, the spine forms with the opposite side of the paper) and must be popped out.

In the crease pattern, lighter lines are mountain folds while darker lines are valley folds. The lines around the points are where the pop out section occurs. They switch between valley and mountain because the fold is through the already folded point. However, there has to be a pair of both valley or mountain folds where the spine folds along. These are the red circled valley folds. I mixed up valley and mountain folds and was looking for a pair at no angle (which I’ve seen more), so I switched the yellow circled section to two valley folds.

069

This is minor and shouldn’t make the model look different, but I wonder if the other way would lock the two spines together.

Other than popping out the interior spines and the “watch out for” part, I have a couple other minor tips. The tail section seems to have a few unused points in it (I don’t know why). Finally, a paired set of notes: part of the center square sticks out and the lower body curve doesn’t seem inherent to the crease pattern. For both of these, I crimped the tail down after collapsing, and then folded the extra paper inside pockets in the tail while shaping it.

lsdx

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (222)

Those are the general tips I’ve got for that one. If you have any other questions on this or others, I’ll be happy to try to help if I can (I tend to be slow tho). Besides here, I’m on Instagram and Twitter, and you can show me what you’ve done on those too!

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (229)

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (227)

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (223)

Crease Pattern Challenge 073

Crease Pattern Challenge, Origami

This is one of Hojyo’s experimental seeming models. He has a kind of specialty in people models (which are amazing), but he goes out of his comfort zone a lot with interesting models nothing like those.

OTMCP_073 - SMALL CASTLE 24A - HOJYO (104)

Mine doesn’t really do this one justice. It looks like he used a stiffer paper, which would probably snap together once you got the folds right. I had this shimmery white paper that I insisted on using which is too thin. It still shows the idea tho.

OTMCP_073 - SMALL CASTLE 24A - HOJYO (105) OTMCP_073 - SMALL CASTLE 24A - HOJYO (106)

OTMCP_073 - SMALL CASTLE 24A - HOJYO (107) OTMCP_073 - SMALL CASTLE 24A - HOJYO (108)

OTMCP_073 - SMALL CASTLE 24A - HOJYO (101)

Crease Pattern Challenge 072

Crease Pattern Challenge, Origami

Issue 128’s Challenge (#72) is a Horned Owl by Naoyuki Yada. It’s a pretty stately horned owl, but you’ll have to google it to see that. I’ve struck yet again, making a more cartoonish version than the original. This one sort of looks like it could be in an anime.

OTMCP_072 - HORNED OWL - YADA (103) OTMCP_072 - HORNED OWL - YADA (104)

OTMCP_072 - HORNED OWL - YADA (105) OTMCP_072 - HORNED OWL - YADA (106)

Two things occur to me: most of the details of this are pretty clearly displayed in only a couple of photos, and if I looked at the reference models more when making these, they’d look more like they’re supposed to.

OTMCP_072 - HORNED OWL - YADA (101) OTMCP_072 - HORNED OWL - YADA (102)

For the first, here are some pics with different lightings and some zooms. For the second, it’s probably more artistic to have your own interpretation of a crease pattern. Plus, I like cute models.

OTMCP_072 - HORNED OWL - YADA (107)

 

 

 

Crease Pattern Challenge 071

Crease Pattern Challenge, Origami

OTMCP_071 - TIGER BEETLE - KANAZAWA (101)

Takashi Kanazawa’s Tiger Beetle is Challenge 71 from Issue 127. This is a fantastic beetle. Mine’s not as good as Kanazawa’s (of course), but I think it looks good. I hope you can see the cute face.

OTMCP_071 - TIGER BEETLE - KANAZAWA (102)

It has bug eyes, thorny mandibles, and antennas!

OTMCP_071 - TIGER BEETLE - KANAZAWA (106) OTMCP_071 - TIGER BEETLE - KANAZAWA (104)

I also used a special paint that shifts shades in light. It’s really subtle. I took a video, but it looks like I can’t post it here. It didn’t really show it that well anyway.

OTMCP_071 - TIGER BEETLE - KANAZAWA (103)

Crease Pattern Challenge 070

Crease Pattern Challenge, Origami

Crease Pattern Challenge #70 in OTM Issue 126 is a Spinosaurus by Fumiaki Kawahata.

OTMCP_070 - SPINOSAURUS - KAWAHATA (103) OTMCP_070 - SPINOSAURUS - KAWAHATA (106)

OTMCP_070 - SPINOSAURUS - KAWAHATA (101) OTMCP_070 - SPINOSAURUS - KAWAHATA (102)

Kawahata ranges from simple, cute models to very complex ones. This one is kind of both. It has toes, eyes, and the spine, but the most complicated thing in the crease pattern is the front toes.

OTMCP_070 - SPINOSAURUS - KAWAHATA (109) OTMCP_070 - SPINOSAURUS - KAWAHATA (110)

OTMCP_070 - SPINOSAURUS - KAWAHATA (108)

OTMCP_070 - SPINOSAURUS - KAWAHATA (107) OTMCP_070 - SPINOSAURUS - KAWAHATA (112)

The spine in particular has large unfolded sections, which end up making it look really good. The complexity is more in finding the lines on the spine.

OTMCP_070 - SPINOSAURUS - KAWAHATA (104)

Crease Pattern Challenge 069

Crease Pattern Challenge, Origami

—Tips on this Crease Pattern Challenge—

Challenge 69 in Issue 125 is Hitoshi Kakami ‘s Leafy Sea Dragon. Kakami also has the website Calico’s Origami Aquarium, which I think I’ve mentioned before. He has a lot of great origami pokemon there. He also did the Coelacanth Crease Pattern Challenge.

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (102)

This was interesting to fold. On my first run at it, I kept mixing up reference folds/points with folds/points I used to find them.

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (104) OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (105)

The thing is, in spite of what they tell you, many origami models will work out fine using really close points that aren’t exact. You may get some edges you’ll need to adjust, but it’s typically not a big problem.

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (101) OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (103)

This model is very exact. It’s hard to explain, but each fold’s angles strongly depend on the ones around it. This usually happens in smaller regions that can be shifted slightly around. In this one, basically any shifted line changes the whole thing drastically. It’s really neat.

—Tips on this Crease Pattern Challenge—

OTMCP_069 - LEAFY SEA DRAGON - KAKAMI (106)

Crease Pattern Challenge 067

Crease Pattern Challenge, Origami

This is an odd one. Challenge #67 is a Steam Automobile by Morisue Kei. The crease pattern gives this:

OTMCP_067 - STEAM AUTOMOBILE - MORISUE (102) OTMCP_067 - STEAM AUTOMOBILE - MORISUE (103)

And that’s as far as I went. This isn’t one of those I get annoyed at where it’s only made difficult because it’s in crease pattern. It seems like a crease pattern was the way to go, at least initially. This one needs something more to get it from the crease pattern to the finished model. Many of the lines in the finished model (like exactly where the wheels sink, the vertical and horizontal seat line locations, etc.) are not in the crease pattern and must be guessed at, meaning it’s not very consistent. It’s a good crease pattern (any more info would be a mess), but it needs something like additional diagrams to finish it.

Crease Pattern Challenge 066

Crease Pattern Challenge, Origami

Challenge #66 is Takashi Kanazawa’s Bambiraptor. Dinosaur origami is great, and this one has feathers to be more historically accurate. It’s a really good one; kind of reminds me of some of Satoshi Kamiya’s dinosaurs.

OTMCP_066 - BAMBIRAPTOR - KANAZAWA (101) OTMCP_066 - BAMBIRAPTOR - KANAZAWA (102)

OTMCP_066 - BAMBIRAPTOR - KANAZAWA (104) OTMCP_066 - BAMBIRAPTOR - KANAZAWA (106)

I had trouble getting pictures of this one right and later lost the first model. The first shot of the new one was odd too.

OTMCP_066 - BAMBIRAPTOR - KANAZAWA (114) OTMCP_066 - BAMBIRAPTOR - KANAZAWA (115)

I used a wire to hold him up. Also, apparently people use methyl cellulose (used in bookbinding) to stiffen origami, and I tried that for the first time with this one.

OTMCP_066 - BAMBIRAPTOR - KANAZAWA (117) OTMCP_066 - BAMBIRAPTOR - KANAZAWA (118)

OTMCP_066 - BAMBIRAPTOR - KANAZAWA (116) OTMCP_066 - BAMBIRAPTOR - KANAZAWA (112)